Nick Teller, the British Honorary Consul for Hamburg, has organised an open evening with a representative of the British Embassy so British citizens can ask their Brexit-related questions. Here are the details:
In co-operation with Nicholas Teller, the British Honorary Consul in Hamburg, the First Secretary at the British Embassy in Berlin, Tim Jones, will hold this open meeting in Hamburg to discuss citizens’ rights following Brexit.
There will be a Questions and Answers session after Tim´s speech. To provide an effective meeting it would be helpful if you considered in advance any questions you may have. After the meeting there will be a short get together.
Am 25. und 26. November war ich auf dem Barcamp Lübeck 2016. Es war erst mein drittes Barcamp, nachdem ich dieses und letztes Jahr auf dem Barcamp Hamburg war. Mit jedem Barcamp verstehe ich das Prinzip besser: wie mir ein anderer Teilnehmer erklärt hat, wird die Grenze zwischen Teilnehmer und Vortragende weitestgehend aufgelöst. Dieses Prinzip ist mir äußerst sympathisch!
On Sunday 23rd October 2016, I and nine others were lucky enough to spend an hour-and-a-half with John Groves, founder of Groves Sound Branding GmbH, a legendary music producer and a pioneer in the field of sound branding. I’m sure I wasn’t the only one who had an “aha” moment: sound branding seems obvious when someone explains it to you, but few people seem to know what it is. It was fascinating to dig deeper and find out what sound branding can and cannot do.
When you think of branding and corporate identity, perhaps your first association is communicating a company’s identity and values by choosing logo designs, colour schemes, fonts, communication guidelines and the rest of it. But what about sound?
John Groves, MD of Groves Sound Branding GmbH
John Groves has kindly agreed to tell us all about sound branding and show us his studio at Groves Sound Branding GmbH. He will start off by finding out who we are and what we are interested in, then give a talk, followed by the opportunity to ask questions.
Date: Sunday 23rd October Time: 3pm-4pm Place: Isekai 20, 20249 Hamburg RSVP by email, see below
You may have heard of John: he’s a well-known and very successful composer, music producer and pioneer of sound branding who has lived in Hamburg since 1983. His early work included the music for adverts we know and love: Mentos (“fresh goes better”) and Bacardi (“sippin’ on Bacardi rum”).
In the early 90s he developed a system for creating and implementing brand and corporate sound identities and has been helping people harness the power of sound to influence moods, perceptions and emotions ever since.
His company, Groves Sound Branding GmbH, has its headquarters in Hamburg (where we’ll meet) and has offices across the globe in China, Dubai, the USA, Chile, Netherlands and Sweden.
Limited places – RSVP by email
If you want to come and find out about sound branding, about John and how he has turned his musical talent and passion into a successful career and business, then send me an email with your full name and telephone number on firstname.lastname@example.org.
We’re limited to 10 people so please be sure to sign up, and if you can’t make it please tell me so someone else can have your place.
On 22nd and 23rd September I helped out at the Reeperbahn Festival Conference, playing my part as a stage host in the Theater Schmidt. The conference is an adjunct to the 10-year-old Reeperbahn Festival, a music festival that happens in Hamburg’s famous red-light district which is also the site of many music clubs. The festival-conference combo is modelled on South By South West and is a meeting place for music-industry people from around the world.
Being a stage host means standing on stage at the beginning and end of each event, welcoming the speakers, announcing house-keeping information such as wi-fi passwords and other information, thanking the speakers at the end, and generally holding the ring if moderators are late, not present or whatever. A bit of banter doesn’t harm either to warm people up. When the role was introduced at the Reeperbahn Festival, it was inspired by the stage hosts at the Social Media Week and I think I can take the credit for playing that role for the first time in Kultwerk West during the first Social Media Week that I was involved in.
I helped out in 2014, so this time I was better able to follow the content of the panels – although I’m not directly involved in the music industry. Largely, the topics deal with in the Schmidt Theater (Saal) where I was were about the effect of digital technology on the music industry. This year, compared with 2014, it felt like the participants were more forward-looking: in 2014 I remember more scepticism, the flag-bearer for which was Herbert Grönemeyer who compared users of services like Spotify to restaurant visitors expecting a flat-rate for all restaurants in the city.
As well as the usual panel reflecting on the current and upcoming festival seasons (again moderated by Greg Parmley with charm and dry humour), there were panels on machine intelligence (e.g. Google Muze, an experimental fashion project), virtual reality and its implications for music production, and more. A very enjoyable session was called “Help The Aged” but was a humorous and insightful, anecdote-filled primer on the history of the music industry with some reflection on diversity in the music industry over time. Finally, there was the presentation of the Büro für Offensivkultur – the bureau for proactive culture – a kind of rapid-reaction force to mobilise musicians at the drop of a hat for protests against acts of far-right extremism as they happen.
It’s always nice to be part of the Reeperbahn Festival Conference and see who comes through the door. It’s an interesting insight into the music industry and usually there are several famous people (e.g. Smudo of Die Fantastischen Vier) or people who have done famous things (e.g. Simon Napier-Bell who penned “You don’t have to say you love me”).